Jean Kirstein (
wipesfaith) wrote2014-01-29 05:03 pm
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03 [action/written] backdated to MONDAY 1/27
[When Jean wakes up on Monday, it is with the heavy sense that something is missing. (Isn't it strange, how lacking can weigh more than having?) The skipped days - going to bed on Friday night and waking up to Monday morning - aren't what hits him first; these, he won't notice until he open his journal to send a message that won't be read by its intended recipient for a while.
The bed on the other side of the room is empty.
He's the only one in their apartment. This doesn't fall too far outside the normal rhythm of the day, but it drags him back to a few months ago when things were knocked off balance and disappearing was Marco's favorite hobby. So he sends that message, raises an eyebrow at the date, and gets ready for the day while he waits for a response.
It doesn't come.]
[Action]
[In the morning, he scours the village, walking the length of every road and checking inside every public building. He tries not to think about the last time he'd walked through still streets unable to remember with any certainty when he'd last seen his friend.]
Marco? [Cupping a hand around his mouth.] Marco!
[At some point, he dimly realizes that school started a while ago, but that doesn't mean shit to him right now. Two options have long since sunk into his brain: Marco has either been kidnapped for experimentation, or he has gone home to hit a dead end. Still, through wanting to prolong the inevitable, through wanting to feel effective in some way, he doesn't drop his search. He takes it out of the village, winding through the woods on horseback.
When he finally returns, with nothing to show for his efforts but exhaustion, a tightened knot of anxiety in his stomach, and questions, evening has settled in. He opens his journal - still no response - and starts asking.]
[Written]
Does anybody know of any missing persons cases that happened over the weekend?
Is there anyone who can remember anything that happened between Friday night and this morning?
[Then, because he doesn't know how to lock messages to specific individuals, he adds:]
Commander Smith, Captain Levi. I need to speak with you. If you're in your quarters, I can come up shortly.
The bed on the other side of the room is empty.
He's the only one in their apartment. This doesn't fall too far outside the normal rhythm of the day, but it drags him back to a few months ago when things were knocked off balance and disappearing was Marco's favorite hobby. So he sends that message, raises an eyebrow at the date, and gets ready for the day while he waits for a response.
It doesn't come.]
[Action]
[In the morning, he scours the village, walking the length of every road and checking inside every public building. He tries not to think about the last time he'd walked through still streets unable to remember with any certainty when he'd last seen his friend.]
Marco? [Cupping a hand around his mouth.] Marco!
[At some point, he dimly realizes that school started a while ago, but that doesn't mean shit to him right now. Two options have long since sunk into his brain: Marco has either been kidnapped for experimentation, or he has gone home to hit a dead end. Still, through wanting to prolong the inevitable, through wanting to feel effective in some way, he doesn't drop his search. He takes it out of the village, winding through the woods on horseback.
When he finally returns, with nothing to show for his efforts but exhaustion, a tightened knot of anxiety in his stomach, and questions, evening has settled in. He opens his journal - still no response - and starts asking.]
[Written]
Does anybody know of any missing persons cases that happened over the weekend?
Is there anyone who can remember anything that happened between Friday night and this morning?
[Then, because he doesn't know how to lock messages to specific individuals, he adds:]
Commander Smith, Captain Levi. I need to speak with you. If you're in your quarters, I can come up shortly.
[Action]
You dance? [He asks out of necessity of the conversation more than anything, but it does surprise him. In his mind, she's framed only in the context of the military, of fighting, a world in which something light and carefree like dancing feels far out of place.]
[Action]
I was in a dance company when I was younger, also worked with the local theatre group. Now, it's really only at parties and the like, though I guess there is a danceclub in town.
[Action]
I've never danced a step in my life. [He takes another bit out of the cookie.]
[Action]
[Action]
[See, wonderful company right now. Under less heavy circumstances he would be curious about it, might think it could be fun, but...
He's moving onto cookie number two, snickerdoodle.]
[Action]
Also cute animal pictures. Ginia searches through her folder of cute animals, opens up a picture, and turn her laptop around for Jean to see.
Action]
[She might get more of a reaction if she started showing pictures of cute girls. But he's not about to say that, because not only is she a woman, but he realizes that she could be old enough to be his mother. Which is weird in itself.]
[Action]
They're cute, and they're a nice pick-me-up. But I also have movies, television shows, and music on here as distractions.
I'm just here to make sure you don't get stuck too deep in your head.
[Action]
..."Television shows"?
[Movies he and Marco have already discovered in the Rec Room, so at least he doesn't have to be an idiot and ask too many questions. He wonders how she even has all of this stuff inside her device, but he figures he wouldn't understand how it works anyway.]
[Action]
Do you know what movies are? I know they have some in the rec center.
[Action]
[Moving pictures that look incredibly identical to real life, yet show stories that are one hundred per-cent made-up - how could it not blow his mind?]
[Action]
[Ginia looks at her computer and scrolls through her collection of TV shows.]
How do you feel about science and explosions?
[Action]
Don't know much about science, honestly. One of the movies we saw had a ton of explosions...made it pretty exciting, which is probably the point. [And totally did not scare the shit out of him at first.]
[Action]
And if anything, the opening video certainly is attention getting. Explosions and hijinks ahead.
And let's pretend it's a clip show because here are some clips for entertainment.]
[Action]
Yeah, that worked real well. [Snort. He reaches for his cup of milk again.]
[Action]
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These guys have way to much free time on their hands.
[Action]
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Hard to believe you can get paid for something like this.
[Action]
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[He scoffs.] The people there aren't the ones who need to take their minds off what's happening. Only reason they ever give a shit at all is because its their tax money on the line.
[Action]
There are some similarities in my world too; rich getting richer, staying safe, living frivolously while everyone else has to do the best to survive. But entertainment is a big industry in my world. Everyone loves their distractions. And access isn't so bad; libraries let people borrow things for free, community events.
[...And of course, piracy.]
[Action]
Must be nice, getting to escape whenever you want. Although, I guess you can do that here too. [This stuff is just new to him, and he doesn't see a reason to indulge all that often.]
[Action]
[Or bribes or fake IDs or knowing how to sneak past borders.]
[Action]
[His glass of milk has been drained by now, but he returns to the cookies. Just one more, sugar this time.]
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